京剧脸谱（Beijingoperatypesof；Beijingoperatypesoffacia；nationalcosmetic.Aseachh；Beijingoperatypesoffacia；personality,temperamento；makeupinoperassuchasGuan；Beijingoperatypesoffacia；chara
京剧脸谱（Beijing opera types of facial makeup in operas）
Beijing opera types of facial makeup in operas, is a special feature of a
national cosmetic. As each historical figure or a certain type of person has an approximate spectral type, like sing, play music to the music, so called “types of facial makeup in operas”. On the types of facial makeup in operas sources, the general view is from mask.
Beijing opera types of facial makeup in operas are based on certain personality, temperament or some special types of figures for the use of certain colors. Red has expressed his Warriors of strong types of facial
makeup in operas such as Guan Yu, concubines Victoria, regular book; Black said the types of facial makeup in operas ming criticized people, integrity, bravery and even reckless, such as Zheng and Zhang Fei, Li; Yellow types of facial makeup in operas that vicious brutality, such as Yu Chengdu, and Dian Wei. Blue or green types of facial makeup in
operas that some of the figures represented irritable, such as Dou Ambassador, Ma Wu; General treacherous court official said the types of facial makeup in operas white, bad guys, such as Cao Cao, Zhao higher.
Beijing opera types of facial makeup in operas of color painting methods, basically divided into three categories : rub face, face towel, different faces. Types of facial makeup in operas initial role is exaggerated her role with striking places and face the veins, using exaggerated by the performance of dramatis personae of personality, psychological and physiological
characteristics, and using this to the entire drama circumstances, but Later types of facial makeup in operas by Kan to complex, from rough to the small, Youbiaojili, from shallow to deep, itself becoming a nation of characteristics, to the facial expression means for the pictorial arts.
二胡 (èr hú) – a two stringed violin type instrument that is used to expressed sadness and to imitate birds and singing.
古筝 (gǔ zhēng) – an 18-23 stringed instrument that is plucked horizontally. It is usually played solo, by a female musician at an opera or concert.
琵琶 (pí pa) – 4 stringed instrument, similar to a medieval lute. The instrument was popular in Chengdu, the capital during the Tang Dynasty and is now most commonly seen in performances.
笛子 (dí zi) – a flute made from bamboo with around 6 finger holes. One hole was covered with paper to create a raspy noise.
中国风 (zhōng guó fēng) : \"Chinese Style\" Music
中国风 (zhōng guó fēng) means \"China Wind\" in literally. Zhongguo feng mixes elements of traditional Chinese music, Chinese opera and poetry with modern pop music. 中国风 (zhōng guó fēng) comes from 中国风格的 (zhōng guó fēng gé de)meaning ‘Chinese Style’and was first seen in 2003, when Jay Chou 周杰伦 (zhōu jié lún), the Taiwanese Pop star released ‘East Wind Breaks’ 东风破 (dōng fēng pò). The song is a modern R&B song with the traditional instruments of the 二胡 (èr hú) and 琵琶 (pí pa). ‘East Wind Breaks’ uses a traditional element of Chinese music, known as the pentatonic scale. A pentatonic scale has 5 notes per octave, as oppose to a heptatonic scale that has 7. Heptatonic scales are more commonly found in western style music.
东风破 (dōng fēng pò) (East Wind Breaks)
Actually, Jay Chou周杰伦 (zhōu jié lún) and song writer Vincent Fang 方文山 (fāng wén shān), had been creating many traditionally influenced songs apart from ‘East Wind Breaks’ 东风破 (dōng fēng pò)..
When interviewed about ‘zhong guo feng’, 方文山 (fāng wén shān) said he was
always concerned about the subjects about nation, tradition and culture. When this cultural consciousness is combined with music, lyrics
with so called “China Wind” element are naturally created.
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