读过《孤星血泪》的朋友帮帮忙！
发布网友
发布时间：2022-04-22 05:21
共2个回答
热心网友
时间：2024-08-23 11:32
（William Wikie Collins，1824年1月8日-18年9月23日）英国小说家，剧作家。其作品在当时取得很大成功，很受市民的欢迎，后来被认为是推理小说的先驱者之一。
柯林斯生于伦敦，是著名风景画家威廉·柯林斯的儿子,为了区别于他父亲，一般就以他的第二个名字wilkie来称呼他，即韦基·柯林斯。1851年柯林斯结识了查尔斯·狄更斯，两人成为终身的朋友和合作者。但和狄更斯专注于对社会的描写和批判不同，柯林斯被认为是“奇情小说”（sensation novel）的代表作家。奇情小说与哥特小说类似，都充满着惊悚、煽情、悬疑、罪行等剧情元素，但更加偏向用人们比较熟悉的家庭生活作为场景，用悬疑而不是恐怖来渲染气氛。
柯林斯的代表作品是1859年出版的《白衣女人》和1868年出版的《月亮宝石》。在这两篇作品中柯林斯使用了书信体小说的形式，通过卷入案件的一个或几个人的视角来让读者慢慢了解案件的全貌，这样，他成功的创造了具有悬疑与推理的情节，渲染了一种犹豫而伤感的气氛，使得两部作品出版后很受欢迎，后来被认为是早期长篇推理小说的写作典范。
Wilkie Collins 韦基·柯林斯（1824-18）
No Name (《没有姓名》)
The New Magdalen (《新玛格达琳》)
The Moonstone (《月亮宝石》)
The Woman in White (《白衣女人》)
作者简介：
韦基·柯林斯（1824-18）是英国推理小说之父，他的文学地位是堪与英国大文豪查尔斯·狄更斯相比。相对于狄更斯对纯文学的贡献，柯林斯对推理小说占有极重要的地位。从《白衣女郎》到《月亮宝石》，柯林斯确立了早期长篇推理小说的写作典范，并继续孜孜不倦地探索、挖掘推理小说的崭新布局。其作品的特色充满哥特式风格，融合惊悚、煽情、悬疑、怪奇等剧情元素，创造了许多后人不断模仿的故事桥段
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不知道你的英语好不好，我也找到了一些英文资料
His works were classified at the time as 'sensation novels', a genre seen nowadays as the precursor to detective fiction and suspense fiction. He also wrote penetratingly on the plight of women and on the social and domestic issues of his time. Like many writers of his time, he published most of his novels as serials in magazines such as Dickens's All the Year Round, and was known as a master of the form, creating just the right degree of suspense to keep his audience reading from week to week. (Sales of All The Year Round actually increased when The Woman in White followed A Tale of Two Cities.)
He enjoyed ten years of great success following publication of The Woman in White in 1859. His next novel, No Name combined social commentary - the absurdity of the law as it applied to children of unmarried parents (see illegitimacy) - with a densely-plotted revenge thriller. Armadale, the first and only of Collins' major novels of the 1860s to be serialised in a magazine other than Dickens' "All The Year Round", provoked strong criticism, generally centered upon its transgressive villainess Lydia Gwilt; and provoked in part by Collins's typically confrontational preface. The novel was simultaneously a financial coup for its author and a comparative commercial failure: the sum paid by Cornhill for the serialisation rights was exceptional, eclipsing the prices paid for the vast majority of similar novels by a substantial margin, yet the novel itself failed to recoup its publishers' investment. The Moonstone, published in 1868, and the last novel of what is generally regarded as the most successful decade of its author's career, was, despite a somewhat cool reception from both Dickens and the critics, a significant return to form and reestablished the market value of an author whose success in the competitive Victorian literary marketplace had been gradually waning in the wake of his first "masterpiece." Viewed by many to represent the advent of the detective story within the tradition of the English novel, The Moonstone remains one of Collins's most critically acclaimed productions.
However, various factors (most often cited is the death of Dickens in 1870 and thus the loss of his literary mentoring; Collins's increased dependence upon laudanum; and a somewhat ill-advised penchant for using his fiction to rail against social injustices) appear to have led to a decline in the two decades following the success of his sensation novels of the 1860s. His novels and novellas of the '70s and '80s, whilst by no means entirely devoid of merit or literary interest, are generally regarded as inferior to his previous productions and receive comparatively little critical attention today.
The Woman in White and The Moonstone share an unusual narrative structure, somewhat resembling an epistolary novel, in which different portions of the book have different narrators, each with a distinctive narrative voice (Armadale has this to a lesser extent through the correspondence between some characters). The Moonstone, being the most popular of Collin's novels, is known as a precursor for detective fiction such as Sherlock Holmes.
After The Moonstone, Collins's novels contained fewer thriller elements and more social commentary. The subject matter continued to be "sensational", but his popularity declined. Swinburne commented: "What brought good Wilkie's genius nigh perdition? Some demon whispered - 'Wilkie! have a mission.'"
他的作品不太好找
热心网友
时间：2024-08-23 11:38
http://baike.baidu.com/view/4885.htm 给啊..........
热心网友
时间：2024-08-23 11:32
（William Wikie Collins，1824年1月8日-18年9月23日）英国小说家，剧作家。其作品在当时取得很大成功，很受市民的欢迎，后来被认为是推理小说的先驱者之一。
柯林斯生于伦敦，是著名风景画家威廉·柯林斯的儿子,为了区别于他父亲，一般就以他的第二个名字wilkie来称呼他，即韦基·柯林斯。1851年柯林斯结识了查尔斯·狄更斯，两人成为终身的朋友和合作者。但和狄更斯专注于对社会的描写和批判不同，柯林斯被认为是“奇情小说”（sensation novel）的代表作家。奇情小说与哥特小说类似，都充满着惊悚、煽情、悬疑、罪行等剧情元素，但更加偏向用人们比较熟悉的家庭生活作为场景，用悬疑而不是恐怖来渲染气氛。
柯林斯的代表作品是1859年出版的《白衣女人》和1868年出版的《月亮宝石》。在这两篇作品中柯林斯使用了书信体小说的形式，通过卷入案件的一个或几个人的视角来让读者慢慢了解案件的全貌，这样，他成功的创造了具有悬疑与推理的情节，渲染了一种犹豫而伤感的气氛，使得两部作品出版后很受欢迎，后来被认为是早期长篇推理小说的写作典范。
Wilkie Collins 韦基·柯林斯（1824-18）
No Name (《没有姓名》)
The New Magdalen (《新玛格达琳》)
The Moonstone (《月亮宝石》)
The Woman in White (《白衣女人》)
作者简介：
韦基·柯林斯（1824-18）是英国推理小说之父，他的文学地位是堪与英国大文豪查尔斯·狄更斯相比。相对于狄更斯对纯文学的贡献，柯林斯对推理小说占有极重要的地位。从《白衣女郎》到《月亮宝石》，柯林斯确立了早期长篇推理小说的写作典范，并继续孜孜不倦地探索、挖掘推理小说的崭新布局。其作品的特色充满哥特式风格，融合惊悚、煽情、悬疑、怪奇等剧情元素，创造了许多后人不断模仿的故事桥段
-----------------------------------------------------
不知道你的英语好不好，我也找到了一些英文资料
His works were classified at the time as 'sensation novels', a genre seen nowadays as the precursor to detective fiction and suspense fiction. He also wrote penetratingly on the plight of women and on the social and domestic issues of his time. Like many writers of his time, he published most of his novels as serials in magazines such as Dickens's All the Year Round, and was known as a master of the form, creating just the right degree of suspense to keep his audience reading from week to week. (Sales of All The Year Round actually increased when The Woman in White followed A Tale of Two Cities.)
He enjoyed ten years of great success following publication of The Woman in White in 1859. His next novel, No Name combined social commentary - the absurdity of the law as it applied to children of unmarried parents (see illegitimacy) - with a densely-plotted revenge thriller. Armadale, the first and only of Collins' major novels of the 1860s to be serialised in a magazine other than Dickens' "All The Year Round", provoked strong criticism, generally centered upon its transgressive villainess Lydia Gwilt; and provoked in part by Collins's typically confrontational preface. The novel was simultaneously a financial coup for its author and a comparative commercial failure: the sum paid by Cornhill for the serialisation rights was exceptional, eclipsing the prices paid for the vast majority of similar novels by a substantial margin, yet the novel itself failed to recoup its publishers' investment. The Moonstone, published in 1868, and the last novel of what is generally regarded as the most successful decade of its author's career, was, despite a somewhat cool reception from both Dickens and the critics, a significant return to form and reestablished the market value of an author whose success in the competitive Victorian literary marketplace had been gradually waning in the wake of his first "masterpiece." Viewed by many to represent the advent of the detective story within the tradition of the English novel, The Moonstone remains one of Collins's most critically acclaimed productions.
However, various factors (most often cited is the death of Dickens in 1870 and thus the loss of his literary mentoring; Collins's increased dependence upon laudanum; and a somewhat ill-advised penchant for using his fiction to rail against social injustices) appear to have led to a decline in the two decades following the success of his sensation novels of the 1860s. His novels and novellas of the '70s and '80s, whilst by no means entirely devoid of merit or literary interest, are generally regarded as inferior to his previous productions and receive comparatively little critical attention today.
The Woman in White and The Moonstone share an unusual narrative structure, somewhat resembling an epistolary novel, in which different portions of the book have different narrators, each with a distinctive narrative voice (Armadale has this to a lesser extent through the correspondence between some characters). The Moonstone, being the most popular of Collin's novels, is known as a precursor for detective fiction such as Sherlock Holmes.
After The Moonstone, Collins's novels contained fewer thriller elements and more social commentary. The subject matter continued to be "sensational", but his popularity declined. Swinburne commented: "What brought good Wilkie's genius nigh perdition? Some demon whispered - 'Wilkie! have a mission.'"
他的作品不太好找
热心网友
时间：2024-08-23 11:34
http://baike.baidu.com/view/4885.htm 给啊..........
